2:02 — narrated walkthrough of this portfolio
I am an interior designer who works between interior installations, small public architecture, and the quiet psychology of how people occupy a room. I begin from a single human need — to rest, to hide, to breathe — and let the form grow outward rather than imposing a preconceived aesthetic.
My work sits on the boundary between public and private space: how a chair can become a refuge, how a retail kiosk can dissolve into a landscape, how a village can be reborn through its own contours. I work with materials I can feel — foam, rope, ceramic, timber, light — and I prototype at full scale before rendering.
What makes my practice distinct is the material-first, psychology-first process: every project is tested physically and emotionally, never only on screen. I believe a room is never finished — it adapts to how people actually use it, not how we imagined they would.
Every project starts with a person. What do they need — a refuge, a stage, a pause? Psychology over aesthetics.
Hand sketches and material studies. Foam, rope, paper — physical prototyping before any digital rendering.
Full-scale maquettes and on-site assembly. Details are resolved in the hand, not on the screen.
The space is never finished. It adapts to how people actually use it — not how we imagined they would.
Open to collaborations, studio work and conversations about space.